August 9, 2023
Magnetic earrings were popular from at least 1957 (possibly earlier) into the 1960s and later in the late 1970s. Coro was not the only manufacturer of these novelty earrings with a patent infringement case cited […]
A collection of research articles by Melinda Lewis, author of The Napier Co.: Defining 20th Century American Costume Jewelry. The Jewelry Stylist is proud to present jewelry articles and history revisited by countless hours of research.
June 6, 2023
Lapel whimsies, a unique category of collectible costume jewelry, have garnered a significant following. But what are “whimsies?” Simply put, they are figurals—A term that Longcraft of Thomas Long Company used to describe its various […]
October 17, 2022
Coordinate Jewelry Sets Popularized in 1946 In 1946, coordinated sets were quite desired by consumers. Sellers of jewelry anticipated high sell rates of coordinated necklace and bracelet sets, particularly for Valentine’s Day and Mother’s Day. […]
April 25, 2022
Jewelry by Nettie Rosenstein: The First Year Nettie Rosenstein was one of the nation’s foremost fashion designers during the 1930s-1940s. The twenty-year-old business had been a leader in women’s fashion since its opening in 1931. […]
April 11, 2022
Throughout the decades, color trends have been documented in fashion jewelry. White has been a staple for decades and has found its way into casual and fancy jewelry lines. It has been designed for daytime, […]
April 9, 2022
In 1952, Marvella introduced a new series of pins to promote the popular look of enamel floral motifs. One of the most popular designs within this series was its “poodle” pin. The design featured gold-tone […]
January 1, 2022
This is an exciting topic. Did Henkel & Grosse manufacture jewelry for Schiaparelli? Recently, I commenced research studying Henkel & Grosse and have been obtaining ads for Grosse. Henkel & Grosse, the parent firm of […]
July 7, 2021
May 18, 2018
The Dior-Kramer Connection Product endorsements, licensing, and marketing collaboration is an essential part of the business survival of the “mega-designer.” This cross-company licensing can be traced back to at least one designer, Christian Dior. Many […]
